To wish any reader I might have left a Happy New Year. I have not posted for a while. I put this down to the frustrating life we have had forced on us. A huge grey cloud to hang over a writer. Writers do not work in a vacuum. Like any other creative person, they … Continue reading NOT TO LATE…
A SCENE WITH NO HOME
My WIP is a novel with the main narrative, in the voice of a ten year old girl Janet, set in the 1950s. To begin with, I used only one other narrative voice, of Janet’s uncle. Ted took the reader back to his WWII experiences, essential to understand his current state of mind and his … Continue reading A SCENE WITH NO HOME
BACK TO MY DESK
Back from a rather protracted visit to Europe. A frustrating experience with the most expensive tests required at both ends of the journey and battles (for us older folk) with our mobile phones to find the relevant ‘carpet pattern’ symbol for our saved results of negative, negative, negative. I thought that for my sake as … Continue reading BACK TO MY DESK
Writing a Novel:Structure
At last, after, Covid vaccinations, multi documenti and 3 days in the car, we are in Tuscany with plenty of sun and very little water. We are trying not to think about the health of the well. It is our only supply of fresh water. I am redrafting my novel with the help of John … Continue reading Writing a Novel:Structure
POETRY AS THEATRE
I am not a devoted poetry reader. My mother loved reading poetry and knew many poems by heart. I would stand at the kitchen door, watching her polishing the red linoleum floor, at the same time listening her recite The Lady of Shalott written by Alfred Lord Tennyson. But in her web she still delights … Continue reading POETRY AS THEATRE
TWO WOMEN WRITERS OF SHORT STORIES
On Wednesday 16 June, the Royal Society of Literature presented their annual Mrs Dalloway Day, on line. The day concluded with a discussion on the short stories of Virginia Woolf and Katherine Mansfield, with particular reference to their personal relationship or as it was described, their critical friendship. I am sure there are many readers … Continue reading TWO WOMEN WRITERS OF SHORT STORIES
BACK TO REALITY
After last week’s flight into literary fancy, it’s back to basics with those ‘how-to-do-it’ books on my shelf. Ignoring John Mullan’s how novels work book, I still think James N Frey’s book How to Write a Damned Good Novel is, well, damned good. It was published in 1987 so I’ll just check if you can … Continue reading BACK TO REALITY
Women Writers writing about Women for Women.
We’re back in 1962 in an English lesson about Jane Austen. To be precise, we’ve been reading Mansfield Park, preparing for what then were called ‘O’ level exams. We’ve been given two questions to choose from for prep but the teacher has asked if anyone has a third suggestion. I put up my hand and … Continue reading Women Writers writing about Women for Women.
BOOKS I MUST HAVE ON MY SHELF
I'm going to cheat this week as I must polish two submissions for the Bridport Prize: one for the short story prize and the second for the novel. I've been searching for inspiration for my arresting first line for the novel. I remembered that Ian McEwen's On Chesil Beach started with three aspects of the … Continue reading BOOKS I MUST HAVE ON MY SHELF
The One Book to Have
The non-fiction book how novels work evolved from a series of weekly articles 'Elements of Fiction', written by John Mullan, Professor of English at University College London and published in the Saturday Guardian. I had not come across such articles in a newspaper before and they ensured I bought the Guardian faithfully each week until … Continue reading The One Book to Have